Documentation of Mongolian Buddhist Structures

Pilot Tuv Aimag



The Website van het onderzoek is online.

http://mongoluls.net/research

Article in the Mongol Messenger

Een artikel waarin ik geinterviewd wordt over het kloosteronderzoek wat Renske in Mongolië komt doen!



de krant versie

http://antropia.net/guido/images/researcharticle.jpg



de text versie

http://www.mongoluls.net/research/monmes.php

New Museum Entry

By Zara Fleming



U.B.1

M. Guid Nud.

T. Canala Sambhava.

S. Guru Guido

E. Ancient Protector of Aunties.



The slightly smiling yet slightly wrathful Guru Guido, pink in colour with blue extremities, sits in vajrasana on a computer disc atop a blooming laptop lotus.. He has six flailing arms, two bandy legs and two faces (one facing forward and one backward). In his white front face are three bulging eyes, his central wisdom eye to enable him to see in the bathroom; and in his reverse red face are two startled eyes to alert him to aunties antics, while he is meditating on his computer. His two main hands hold a bowl of licquorice (the elixir of life in UB); his upper hands hold an elephant goad to spur his aunties into action and a noose to restrain their activities; while his middle hands hold a skull drum to awaken them from ignorance and a chopper to symbolically cut off their silly ways.







Guru Guido wears a golden tee shirt and a purple spotted robe. Radiant neon light emanates from his body and above him in a mass of blazing flames sit Shaidara and Zarakala, riding on jewel-spitting hamsters. They are his mentors and attempt to keep him on the straight and narrow and focused on his multi=faceted activities; in turn he bestows a watchful and compassionate eye to save them from their “senior moments”. Beneath the central figure are two scenes from his former lives; on the left his previous magical birth in the Netherlands when he emerges from an incandescent canal and performs his first steps in each direction, and wherever he treads tulips and daffodils bloom. On the right is his former incarnation as a Medicine Man in Mexico, when he feeds the five thousand bandidos with tacos that miraculously appear from his sombrero.







The whole is set in a typical Ulaan Baatar cityscape, with gigantic gers, rush hour traffic and mingling Mongolians. Guru Guido is venerated throughout Mongolia as the main archtype deity of aunties, protecting them from harm and instilling in them more youthful and humourous qualities, in order to prolong their long lives as cataloguers. Meanwhile, Shaidara and Zarakala will continue to catalogue and record the guru’s life performance, which will it is hoped be published as an automatic best seller by the BIM programme of the Tibet Foundation, in the very near future.







N.B.



To view the Guru’s image on the screen, an abundance of discerning wisdom is required. If at first it does not emerge, practice daily visualisation of the above and when ignorance is dispelled and all other negative qualities evaporated, the image of Guru Guido will become a reality.

THE MONGOL MESSENGER

Wednesday, April 28, 2004



The Race to Record Vanishing Memories

By Alina Campana



During the 1930s, in less than a decade's time, centuries of Mongolia's history and a large part of its culture were virtually erased. Now, there are still a few remaining Mongolians who would have been alive at the beginning of the 20th century, and a group of researchers has entered in a race against time to record their experiences, knowledge and memories before they are gone forever.

The starting line is this May in Tuv aimag, where the group of foreign and Mongolian researchers will begin the multi-faceted project. They will search for and record the exact locations of temple ruins. A man named Rinchen created an atlas of temple ruins in 1979, but it is sketchy at best. Using this atlas as a general guide, the research team will travel around Tuv aimag to find the actual sites, photograph, and record their GPS locations and the status of the temple—whether its active, destroyed, a museum, etc. They will also record the historical background and personal stories from the locals. According to Guido Verboom, Mongolia Programme Manager for Alliance of Religions and Conservation (ARC), this is one of the most important aspects. "We need to preserve this knowledge, before it is too late. People that know are becoming less everyday."

The project is a collaboration between ARC and the Arts Council of Mongolia. The research in Tuv aimag will be headed by the Dutch researcher Renske Franken and is funded by the Jan Brummelhuis Grant Programme of the Mongolian Consulate in the Netherlands. They hope to continue the project in other aimags. "We hope to find stories," said Verboom. "About the monasteries: what happened, what people did, what the monasteries meant for the people."

Verboom said that restoration of ruins is not a further goal of the project. "What is most important to people is having functional religious centers. It is common to have a new temple built [not on but] near an old site. The ruins themselves have significance in their own right."

ARC allowed Verboom to make time available to devote to initiating this research project, but the project isn't far from ARC'S own activities. ARC is a secular organization which works worldwide with different faiths on environmental issues. The small staff working for ARC initiates and organizes projects, but the religious groups implement them. "Religion has a certain authority," said Verboom. "In general, secular organizations are slightly scared of working with religions. But actually, they are a very good partner."

In Mongolia, ARC focuses on raising general awareness and understanding of environmental issues and the idea that everything is interrelated. Besides local community activities, ARC also does training for monks. "The materials for the trainings are rooted in Buddhist teachings, and from these we offer them tools to work in modern times," explained Verboom.

Ts. Ariunaa, the Executive Director of the Arts Council of Mongolia, said that it is encouraging to see rising interest in Buddhism from different perspectives. "It is a part of our heritage that many of us don't know much about, she said. 'Making connections to the past before they are lost forever, and making those connections speak to people today, is important both for us and our future

generations." The Arts Council is currently developing an alternative tour of Buddhism in UB, exploring locations off the beaten path and providing information that isn't commonly known. The tour will run this summer.

The group plans to publish their findings on the internet. To follow their progress, visit www.mongoluls.net/research. For more information on ARC, visit www.arcworld.org. For more information on the Arts Council of Mongolia, please call 319105 or visit www.artscouncil.mn.